Far more than a mere coming-of-age story, this is a remarkable and moving novel. With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care. Hobson’s narrative control is stunning, carrying the reader through scenes and timelines with verbal grace and sparse detail. Set in rural Oklahoma during the late 1980s, Where the Dead Sit Talking is a startling, authentically voiced and lyrically written Native American coming-of-age story. Sequoyah also learns of Harold’s illegal sports bookie business from his foster siblings, and the lure of Harold’s hidden sacks of rolled hundred-dollar bills, tucked safely in a backyard shed, tempt all three children with the possibility for trouble, excess, and freedom, which drives the novel’s second half. I saw myself in her.”), who has a history of self-harm. As the pair grows close, Sequoyah falls for Rosemary’s charm and fantasizes about both hurting and becoming his foster sister (“We shared no physical attraction but something else, something deeper.
Sequoyah shares a bedroom with the quirky George, who sleepwalks and sometimes communicates via handwritten notes, and bonds with Rosemary over their shared Native American heritages-he is Cherokee, she Kiowa. After his mother is jailed for drug charges, 15-year-old Sequoyah becomes the foster child of Harold and Agnes Troutt, a middle-aged couple already fostering 13-year-old George and 17-year-old Rosemary. The latest from Hobson ( Deep Ellum) is a smart, dark novel of adolescence, death, and rural secrets set in late-1980s Oklahoma.
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